After being sidetracked by Burnout and PTSD, Lavínia attempts to return to the relentless routine of urban life: buses, trains, the subway, and work. However, remnants of her past begin to project onto the cars of the present, blurring the line between memory and reality. While seeking refuge in the embrace of her wife Helena, the stations conceal an atmosphere of constant surveillance — intensified by Felipe, an ambiguous figure who feeds her state of alertness.